The never get old. The movie was an

The Wizard of Oz is one of the most
important cultural films directed by Frank Baum from the twentieth century,
that will never get old. The movie was an immediate hit, and was one of the
most famous films of all times. When the Wizard of Oz was released, the movie’s
popularity wasn’t much help in meeting universal’s criteria. In the film there
are a variety of interesting scenes like, Dorothy and her friends traveling on
an adventure to satisfy their desires. There are also popular songs in the
movie like “Somewhere Over the Rainbow” that became popular because of the

Soon enough they all fall upon the
Tin Man, who then simulates not to have a heart.  Yet he’s the most dramatic character in the
complete film. The characters, Scarecrow, Tin Man, and the Cowardly Lion later
on, already have what they desire in the world. Then when the Lion bluffs to
attack or threaten them, and Dorothy runs anxiously until the Lion threatens
Toto. Dorothy is brave when she realizes the others are in danger. This
indicates a later event in the film, when Dorothy is in trouble, and the Lion
shows his true heroism. The lion himself is bold when his friends are in
trouble. The Wicked Witch in the meanwhile, refers to Dorothy and her friends
as “my beauties.” She no longer refers to them as “my
pretties.” Which pretty is a word used with children, and beautiful is a
word  that is used to refer to adults.
            In addition, the four friends see
Emerald City ahead. Emerald City is, well, emerald in color rather than being
bland. Emerald is a shade of green, which is a color that is connected with
money and greed. It’s also a color that’s linked to new beginnings and spring
when the plants are blooming. Both of these connections are connected to one
another. The Tin Man, Scarecrow, and Lion all cry out for help, and when it
seems like their all hopeless, Glinda the god comes to save them, causing it
snow and which covers the poppies. The snow exemplifies purity and cleansing,
and are cleansed of their impulses and being forgiven, enabling them to move on
to Emerald City.

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Additionally, Frank Baum’s life
commend the suitableness of a suffragette reading. Baum was an active political
supporter of the women’s suffrage movement. His wife also came from a family of
women’s rights advocates. Her mother even wrote a book about the history of the
suffrage movement. It’s possible in Baum’s Oz books that he knowingly deals
with gender leads. Baum’s sequel of The Wonderful Wizard of Oz is an obvious
ridicule of certain parts of the women’s suffrage movement analyzes Oz’s value system
and detail and sees their respect for individual freedom and nonconformity. But
maybe the most convincing reason to look at feminism in both the book and the
film is the influence of female characters.

Moreover, while both the novel and
film have a lot of the same significant female characters, the film
methodically represents a more brutal and biased image of women than Baum does
in the original text. In the novel, Dorothy is illustrated as a very strong,
brave, and clever six-year-old. Dorothy is also seen as being very independent
in the movie. During her adventure she meets adults like the Good Witch of the
North and the Munchkins who cannot assist her, but she continues on her
journey. In the book, it’s Dorothy’s idea to wear the shoes (silver, not
ruby-red) as she travels because she assumes that they do not run the risk of
being worn out.

Dorothy is a perfect example of a
model for children to follow. She’s intelligent, friendly, helpful, brave,
gravely devoted to her friends and family, and determined in accomplishing her
goals. She doesn’t change suddenly in the course of the journey, and isn’t the
course of someone who really needs to change but a story of finding herself. In
which Dorothy begins to realize her own ability by the end of the journey.  In this translation, the Scarecrow, Tin
Woodman, and Cowardly Lion not only show the friends we need to assist us on
our way, but also the potential Baum felt were the most important for the
adventurer abilities that Dorothy needs to find within herself.

Furthermore, Judy Garland’s
description of Dorothy is quite more helpless than Baum’s character. In the film,
Dorothy is being held captive by the Wicked Witch of the West. She wasn’t able
to do anything on her own until her masculine friends, the Scarecrow, Lion, and
Tin Woodman come to rescue her while she cries. When Dorothy defeats the witch,
it’s due to her accidentally drowning her with water while attempting to splash
the Scarecrow. The book depicts a more stable and practical conqueror. Baum has
the Scarecrow involuntarily dispersed across the land, the Tin Woodman hurried
to the base of a jagged ditch, and the Lion involuntarily channeled in her
courtyard. Dorothy conceives her own escape by intentionally dashing water on
the witch. Although Dorothy didn’t know this would kill the witch, her
succeeding actions display her as being a brave heroine. Then Moore helps to
describe Dorothy’s actions.

Following this further, in a hassle
over Dorothy’s magic shoes, that the wicked sorceress knows productive Dorothy
does not want anything to happen to, and water is squandered over the girl’s
nemesis, who is at the time also the person that captured her. The witch then
dissolves away in front of her. But self-reliant Dorothy is not the person to
waste time on pointless excitement. The Witch then falls down in a brown,
melted, formless pile and starts to distribute over the clean panels of the
kitchen floor. Realizing that she really melted away to scratch, Dorothy threw
another bucket of water over the mess and she swept it out the door. After
choosing the silver shoe, which was the only thing that was left of the old
woman, she sanitized and dried it with a cloth then put it back on her feet.

However, the three remaining female
main characters all paint an anti-feminist picture. Dorothy, as discussed, is a
weakened heroine who sacrifices her dreams and battles for domestic life. The
Wicked Witch of the West is the only female character who is powerful in the
movie and in the real world of Kansas. Ironically, she is portrayed as the
stereotypical strong woman: unnatural and evil. Glinda, the one good witch, is
the only major character who does not represent an actual person from Kansas.
The implication is that women who are powerful and good are imaginary; they do
not exist in reality.

Finally, the film’s eradication of
important female characters from in the book devalues the involvements of women
in Oz. In the book, there are originally four witches of which two are good and
two are bad. The movie consolidates the characters of the two good witches into
one good witch, which is Glinda. In the book, there is a queen of the mice who
plays an important role in assisting the travelers accomplish their goals, and
is completely absent from the film. Next, there is a female stork who rescues
the Scarecrow from a river. He argues that the stork symbolizes Baum’s support
of the women’s suffrage movement. Though the expulsion of these important
female characters defensibly gives the film the needed direction that it
needed. It hardly limits the number of major female characters, while shifting
the balance of power towards the men in the film.



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