A for his wicked male forebears, Darnay

A Tale of Two CitiesA Tale of Two Cities opens in the year 1775, with the narrator comparing conditions in England and France, and foreshadowing the coming of the French Revolution. The first action is Jarvis Lorry’s night journey from London, where he serves as an agent for Tellson’s Bank. The next afternoon, in a Dover inn, Lorry meets with Lucie Manette, a seventeen-year-old French orphan raised in England. Lorry tells Lucie that her father, the physician Alexandre Manette, is not dead as she’s always believed. Dr. Manette has just been released from years of secret imprisonment in the Paris prison, the Bastille. Lorry escorts Lucie across the English Channel to a house in a poor Paris suburb where her father, in a dazed state from long solitary confinement, confusedly works at the shoemaker’s trade he learned in prison. Dr.

Manette has been taken care of by Ernest Defarge, a former servant of the Manette family, now the keeper of a wine shop. Defarge and his wife- a strong-looking, confident woman- appear to be engaged in antigovernment activity. Lucie is saddened by her father’s state and, resolving to restore him to himself, she and Lorry carry the doctor back to England. Five years pass.

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In London, at Old Bailey (the courthouse) we meet Charles Darnay, a French expatriate who is on trial for treason. Lucie Manette and Jarvis Lorry both testify that they met Darnay on their return trip across the Channel five years earlier. John Barsad, an English spy, swears that Darnay’s purpose in traveling was to plot treason against England.

Darnay is acquitted when his lawyer, Stryver, shatters a witness’ identification by pointing at Darnay’s uncanny resemblance to Sydney Carton- a brilliant but dissolute lawyer who is wasting his talents in poorly paid servitude to Stryver. Lucie and her father- who has regained his faculties and returned to medical practice- now live happily in a quiet corner of Soho with Lucie’s fiercely loyal companion, Miss Pross. They are frequently visited by Lorry (now a close family friend), Darnay, and Carton. Lucie imagines hearing hundreds of footsteps thundering into her life- a fantasy that in fact foreshadows the revolutionary strife in France. The scene shifts to France. Driving in his carriage through the streets of Paris, the cruel Marquis St.

Evremonde runs over and kills a poor man’s child. We learn that the Marquis is Charles Darnay’s uncle (out of shame for his wicked male forebears, Darnay had changed his name from St. Evremonde to the English-sounding Darnay). Meeting the Marquis at the St.

Evremonde chateau, Darnay says he will renounce the family property when he inherits to show his disgust with the aristocracy. St. Evremonde expresses his hate of his nephew, and his continued support of the old, unjust order. The next morning the Marquis is found stabbed to death. Gaspard, the father of the boy the Marquis ran over, has killed him as an act of vengeance. Back in England again, Darnay becomes engaged to Lucie. Sydney Carton also declares his hopeless, lasting devotion to Lucie, and vows he would give his life to save anyone dear to her. Barsad, now a spy for the French monarchy, tips off the Defarges in Paris to the impending marriage of Lucie and Darnay.

Privately and meaningfully, Monsieur Defarge comments that he hopes destiny will keep Lucie’s husband out of France. The marriage ceremony, together with a story Darnay has told about discovering hidden papers in a prison, send Dr. Manette into amnesiac shock. For nine days, until Miss Pross and Jarvis Lorry pull him out of it, he reverts to his former shoemaking habits. We learn later that on the wedding morning, Dr. Manette secured Darnay’s promise not to reveal his true name- St.

Evremonde- to anyone, not even Lucie. Paris, 1789: the French Revolution breaks out. Defarge leads the attack on the Bastille, while his wife marshals the revolutionary women. In the country rebellious peasants burn down the St. Evremonde chateau.

Gabelle, the property’s rent and tax collector, is eventually arrested and thrown into Paris’ L’Abbaye prison. Rushing overseas, Darnay is at once seized by the revolutionaries as an aristocrat, and flung into another prison, La Force. Lucie, her young daughter, Miss Pross, and Dr. Manette rush to Darnay’s aid, lodging in Paris near Jarvis Lorry, who’s there on business. As an ex-Bastille prisoner, Dr. Manette has sufficient influence to visit his son-in-law in La Force, but he is unable to free Darnay. For fifteen months Lucie stands each afternoon outside of La Force, praying that Charles may catch a glimpse of her.

The Terror is in full swing, the guillotine shaving innocent and aristocratic heads alike. At last Darnay is brought up before the French Tribunal. He is released through the testimony of Dr. Manette and the long-suffering Gabelle. But the very night of his freedom the Defarges and one other denounce Darnay. On the spot, he is hauled back to the Conciergerie, the scene of his trial.

Ignorant of the disaster, Miss Pross and Jerry Cruncher, Lorry’s jack-of-all-trades, go shopping for provisions and encounter Miss Pross’ long-lost brother, Solomon. Cruncher recognizes Solomon as the spy-witness John Barsad who once testified against Darnay. Suddenly Sydney Carton is on the scene (he has come to Paris to help his friends). Leading Barsad off to Tellson’s headquarters for a meeting, Carton informs Jarvis Lorry that Darnay has been rearrested, and forces Barsad to cooperate with him by threatening to reveal the spy’s turncoat maneuvers.

Currently in the pay of the revolutionaries, Barsad’s job is to spy on their prisoners, and so he has access to Darnay in the Conciergerie. Carton sets a secret plan in motion, using Barsad. Darnay’s retrial the next morning produces a sensation. A journal discovered by Defarge in Dr.

Manette’s old cell at the Bastille is read aloud to the Tribunal. In his journal Dr. Manette blames his arrest on two brothers of the St.

Evremonde family who had summoned him to their country house to treat a young peasant wife the younger St. Evremonde had raped. The woman’s brother lay beyond treatment, dying from a wound received when he tried to attack the rapist. After both the brother and sister had died, Dr. Manette received a visit in his home from the elder St. Evremonde’s wife and her small son, Charles Darnay. The Marquise St. Evremonde believed the dead woman had a sister, and wished to make reparations to her.

Dr. Manette attempted to reveal the St. Evremonde brothers’ infamy, but they arranged for him to be arrested and put in jail. Dr.

Manette ended his story with a curse on the whole St. Evremonde clan, and hid the document in a hole in the chimney. On this evidence Charles Darnay is condemned for his ancestors’ evil deeds, and is sentenced to die in 24 hours. After the verdict, Sydney Carton, drinking in the Defarge wine shop, overhears Madame Defarge announce that she is the missing sister, the last survivor of the family exterminated by the St. Evremondes. She swears to complete her vengeance by wiping out all of Darnay’s relations- Lucie, her little girl, and even Dr. Manette himself. Carton goes to Jarvis Lorry’s lodgings where both men receive Dr.

Manette, who, from the shock of Charles’ condemnation has again slipped into his amnesiac-shoemaker role. Carton warns Lorry of Madame Defarge’s murderous intentions, and they plan an escape from the country. Carton tells Lorry to keep the proper papers ready, and when Carton appears at two the next afternoon, all- including Lucie and her child- will ride swiftly away. The following day, Carton enters Darnay’s cell, drugs him, and exchanges clothes with him. Carton intends to take Darnay’s place on the guillotine, and thus fulfill his old promise to give his life for anyone dear to Lucie. As agreed, Barsad hurries Darnay’s unconscious body- dressed as Carton- out of the Conciergerie to the coach where Jarvis Lorry’s party awaits. All flee successfully. In the meantime Miss Pross, alone in the Manette apartment, has a grim meeting with Madame Defarge, who has come armed with pistol and knife to take her personal revenge.

There is a struggle and the pistol fires, killing Madame Defarge and forever deafening Miss Pross. Nonetheless, she is able to meet Jerry Cruncher as they have planned, and escape. Sydney Carton goes to the guillotine with dignity. (For the first time Madame Defarge’s ringside seat is vacant.) He comforts a little seamstress, has a final vision of better times ahead, and reflects: It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.English Essays

The ice, and can see nothing but ice

The term gothic refers to a genre that came about in the late 18th century. It can be a type of story, clothing, music or literature. A very good example of this type of literature is Mary Shelley’s Frankenstein.

There is a sense of foreboding throughout the whole novel, which is one of the basic necessities of the Gothic. This theme of the gothic has different characteristics that all fit into the story of Victor Frankenstein and his monster and make this one of the first horror stories ever told.The very first characteristic of a Gothic novel is it’s sinister setting. The opening sentence sets the mood for the rest of the book. Shelly begins her novel with, “You will rejoice to hear that no disaster has accompanied the commencement of an enterprise, which you have regarded with such evil foreboding”.

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At this point of the novel, Walton is on a ship in the middle of the North Pacific Ocean, on his way to the North Pole. He is being blocked from all sides by ice, and can see nothing but ice for miles. The landscape is barren, and all of his crews are in fear of running out of food and fresh water. This setting is very sinister in lieu of the imminent death that is facing the crewmembers. When the scene switches to the life of Victor Frankenstein, the reader finds out that everything is wonderful throughout his childhood.

Later, when he goes away to college in pursuit of knowladge about alchemy and other sciences, everything gets darker and darker. When construction of the creature begins, Victor describes his workshop as “a solitary chamber” or rather a cell, at the top of the house, and seperated from all other apartments by a gallery and staircase.


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